The Third Breath of Human
A solo exhibition that expands an ongoing installation through ring structures, woven material, sound and moving image.
A solo exhibition that expands an ongoing installation through ring structures, woven material, sound and moving image.
A live collaboration by Midori Kurata × Ayalguun, working with throat singing, voice, breath, morin khuur and movement.
A live sound performance using throat singing and morin khuur to create a sonic space in which time is felt through breath, overtone, repetition and resonance.



A participatory workshop exploring breath, voice, listening and movement through throat-singing practices. Participants work with the body as a place where memory, vibration and relation can emerge.
Available for art institutions, festivals, schools and community settings.


Selection exhibition by Kyoto University of the Arts and Tohoku University of Art and Design. The Third Breath of Human brought body, sound, moving image and woven material into a shared spatial field.
The Third Breath of Human was one of 20 works selected from around 200 school-recommended works across 18 schools, installed at Gyoko-dori Underground Gallery.
A three-day practice beginning with breath and voice, moving through body-text and improvisation, and arriving at a collective live presentation.
Field research in Zhenglan Banner, developed through shared daily life with local herders, weaving practices, material processes and knowledge of plants and land.
A workshop using Mongolian throat singing as an entry point to breath, vibration, resonance and the body as an instrument.
The Third Breath of Human continues at YANMAR TOKYO B1F HANASAKA SQUARE through large circular structures, white woven material, sound and moving image.
Midori Kurata × Ayalguun perform at Matsumoto Performing Arts Centre, Small Hall, bringing throat singing, voice, breath, morin khuur and movement into a shared live work.
“Nomadic” here does not mean a fixed image of origin. It is a way of moving through materials, voices and places—an action that remains alive precisely because it cannot be fully preserved.
Working across performance, photography, moving image and installation, Ayalguun draws from Mongolian cultural memory, embodied ritual and the conditions of contemporary displacement. His performances bring throat singing into contact with repetition, breath, blood, ash, hair and everyday materials.
Based in Kyoto, Japan. Available for exhibitions, performances, workshops, residencies and commissions.